![dimebag darrell guitar rig dimebag darrell guitar rig](https://images.reverb.com/image/upload/s--r0q1oqEP--/f_auto,t_large/v1579405191/jpiwqc0zksick69juxiq.jpg)
Therefore we want to keep some of the boosted highs in the signal.
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That plus a ridiculous amount of gain is what makes his guitar sound like an angry chainsaw. If you've been paying attention, this treble adjustment begs the question: "If we're looking to balance the frequency, why don't we dump the highs like we did with the mids? After all, their dB increase is just as high as the mids." We do this for the simple reason that Dime's tone is incredibly treble heavy. We scoop the mids to compensate for their increase in the gain stages and slightly reduce treble. We want to even out the signal, therefore, to compensate for a low gain increase in the low frequencies, we push them over the top at the amp. Now that we have a clearer picture of the signal coming into the amp, the necessity to scoop the signal at the amp becomes clearer. High Freqs: +30db(12 from PQ3, appx 18 from MXR) Mid Freqs: +30dB (12 from PQ3, apps 18 from MXR) Low Freqs: +18dB (9 from PQ3, appx 9 from MXR) So, we bump the high and midrange… massively.Ī total gain analysis by frequency shows the following gain increases: Too much input into low frequencies overloads the PQ3. In order to correctly balance the gain levels from the MXR and PQ3 while achieving the most absolute gain, we have to focus our concentrations on the high and midrange frequencies. This is where we get into scooping the mids and why we do it at the amp. After the signal has been cleaned up, it is sent to the Century 200 for final tone shaping and one last gain boost. This is a necessity as the signal created by the PQ3 and MXR are VERY VERY noisy. Once the gain was balanced in the signal stage, it is calmed by an aggressive application of Rocktron Hush. Like I said before, this rig is all about crunchy delicious GAIN: the Furman and MXR act like frequency specific gain stages similar to what we see on a Randall Satan. In my fiddling, I realized that the interplay between the MXR 6-Band EQ and Furman PQ3 was less about tone and more about getting the absolute maximum gain out of the two pieces without overloading the PQ-3. I have a PQ3 so we're stuck to working with that one alone.) Namely he used an MXR 6-Band Graphic Equalizer and a Furman PQ3 (or PQ4 depending upon the year.
![dimebag darrell guitar rig dimebag darrell guitar rig](https://i.pinimg.com/736x/92/77/4d/92774db0229155ef1e2b1c96985186d6.jpg)
To fix this, Dime added multiple EQ's to the signal chain in order to maximize gain before the preamp. They are capable of producing incredible tone, however their gain is a bit lackluster when compared to modern high gain amps. The Randall Century 200/Century 200II/RG100ES however, are not. Many people mistake tone for gain.ĭime's rig is all about GAIN. It is only until the amp that mids are scooped and even then it is done more conservatively than most forums indicate. Despite multiple recommendations to scoop mids, I find the dime tone to be particularly midrange heavy. Many tone hunters recommend the scooped mids solution to the Dime Tone.
![dimebag darrell guitar rig dimebag darrell guitar rig](https://youtubemusicsucks.com/wp-content/uploads/2016/09/SP-J0987-bi-Dimebag-Darrell-201x300.jpg)
I emailed him once and he told me they recorded alot of the first few albums on an MCI console from the Pantego Studios that Abbot's father owned.
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Feel free to get as technical as you want, from the actual Rig to the EQ done in the recordings, etc.Īnything that can help! Thank you!They should get Terry Date here for a Q&A he's a cool guy. I am an advanced guitarist that can play the tunes very well but I just need help from the nerdy studio side. However, I need to recreate the tone as best as I can for clients. I know you can't be Dimebag unless you're Dimebag because he was truly one of a kind. I'm also not too sure about string gauges, picks, etc. He also used an old Furman EQ (though not sure of specific model or settings).
![dimebag darrell guitar rig dimebag darrell guitar rig](https://images.equipboard.com/uploads/source/image/9730/big__c700738_image_0.jpg)
He also double-tracked all rhythms and used a noise gate to get rid of any excess hiss when not playing. Dean or (later on) Washburn guitars (but what production model nowadays gets close?), Bill Lawrence pickups (though not sure of the specific types), Randall Century 100 Head. I've already done a good amount of research myself. I'm really interested in what went into the Dimebag Darrell tone during his Pantera-era (think Mouth For War, By Demons Be Driven, Walk, and other badass Pantera songs)Īs part of my research, I was wondering if you guys had any specific articles, information, or interviews on Pantera-era studio sessions where they talk about tracking Dime's guitar.